2025.11.04
Tokyo’s Most Immersive Mega Club
"WOMB" is widely recognized as one of Tokyo’s most world-class clubs. Located in Shibuya, where countless clubs gather, it stands out with its expansive four-floor layout. The main floor features an open atrium structure, where an exceptional sound system and breathtaking lighting create an immersive experience that feels as if you are surrounded by music itself. For anyone who loves club culture and dance music, it’s a must-visit destination.
In the late 1990s, as dance music culture began to take root in Tokyo,
"WOMB" opened in 2000 in Shibuya’s Maruyamacho district, emerging as a driving force in a new era of club culture.
At its grand opening, the club invited New York’s iconic DJ Junior Vasquez to perform in Japan for the first time.
It also introduced a sound system engineered by world-renowned sound designer Steve Dash, along with one of Asia’s largest mirror balls and state-of-the-art lighting.
The venue immediately drew attention as a next-generation club that set new standards in design and sound.
Since then, "WOMB" has evolved into a global stage where top DJs from around the world—including techno, house, electronic, and drum and bass artists—have performed.
Every weekend, club-goers from Japan and overseas fill the dance floor, making it an internationally recognized nightlife destination.
Even after 25 years, its popularity shows no signs of fading.
Today, the venue uses a d&b audiotechnik sound system from Germany, delivering an impressively powerful sound.
WOMB features four floors with a maximum capacity of approximately 2,000 people. The main floor on the second level features an open, airy space with a four-story atrium. During events, DJs also perform on the first-floor “WOMB LOUNGE” and the fourth-floor “VIP FLOOR,” creating distinct atmospheres on each level. Additionally, the third-floor “PREMIUM LOUNGE” offers a VIP terrace overlooking the main floor, where tables and chairs can be reserved (additional fee).
While the iconic mirror ball is no longer there, the floor now transforms into another world through high-resolution lighting and projection mapping.
Over the years, "WOMB" has welcomed a long list of world-renowned DJs, including Richie Hawtin, Sven Väth, Jeff Mills, Hernán Cattáneo, Peggy Gou, and Four Tet—artists who have captivated audiences of tens of thousands worldwide.
Being able to experience their sets right in the heart of Tokyo is what makes "WOMB" truly one of a kind.
Japanese DJs have also thrived on this stage in recent years—from internationally acclaimed veterans such as DJ NOBU, DRUNKEN KONG, and Wata Igarashi, to rising talents like Yamarchy and RISA TANIGUCHI.
Experimental sets are often featured, offering guests the chance to experience Japan’s cutting-edge music scene within a world-class environment.
"WOMB" is also at the forefront of visual innovation, with moving lights, full-color lasers, and three large LED screens. Lighting artists, including AIBA, have honed their skills here, contributing to the overall quality of Japan’s club scene. The immersive synergy of DJ performance and lighting effects is an experience that can only be found at "WOMB."
"WOMB" is known for its striking raw concrete structure. Even after 25 years, much of the original design remains intact, giving the space a timeless appeal that blends heavy industrial minimalism with a nostalgic analog warmth.
Along the stairway from the entrance to the upper floors, visitors are greeted by individually designed lighting fixtures hanging from the ceiling, creating a welcoming glow.
The spiral staircase connecting the first to the fourth floors is another iconic feature that symbolizes the club’s identity.
The fourth floor was remodeled in 2023 with a woody interior, making it more of a sub-floor. The place is always crowded with people as talented and popular DJs play. The most frequently served drink is beer, and the Asahi draft beer, a Japanese brand, is appreciated by customers from overseas.
The information contained this article was correct as of November 04, 2025 (the time of publication).

